Tham khảo Romeo và Juliet

    • Appelbaum, Robert (1997). “"Standing to the Wall": The Pressures of Masculinity in Romeo and Juliet”. Shakespeare Quarterly (Folger Shakespeare Library) 48 (38): 251–72. ISSN 0037-3222. JSTOR 2871016. doi:10.2307/2871016. 
    • Arafay, Mireia (2005). Books in Motion: Adaptation, Adaptability, Authorship. Rodopi. ISBN 978-90-420-1957-7. 
    • Barranger, Milly S. (2004). Margaret Webster: A Life in the Theatre. University of Michigan Press. ISBN 978-0-472-11390-3. 
    • Bauch, Marc A. (2007). Friar Lawrence's Plan in William Shakespeare's Romeo and Juliet And His Function as A Counsellor. Munich: Grin. ISBN 978-3-638-77449-9. 
    • Bloom, Harold (1998). Shakespeare: The Invention of the Human. New York: Riverhead Books. ISBN 1-57322-120-1. 
    • Bly, Mary (2001). “The Legacy of Juliet's Desire in Comedies of the Early 1600s”. Trong Alexander, Margaret M. S; Wells, Stanley. Shakespeare and Sexuality. Cambridge: Cambridge University Press. tr. 52–71. ISBN 0-521-80475-2. 
    • Bonnard, Georges A. (1951). “Romeo and Juliet: A Possible Significance?”. Review of English Studies II (5): 319–27. doi:10.1093/res/II.5.319. 
    • Bowling, Lawrence Edward (1949). “The Thematic Framework of Romeo and Juliet”. PMLA (Modern Language Association of America) 64 (1): 208–20. JSTOR 459678. doi:10.2307/459678. 
    • Branam, George C. (1984). “The Genesis of David Garrick's Romeo and Juliet”. Shakespeare Quarterly (Folger Shakespeare Library) 35 (2): 170–79. JSTOR 2869925. doi:10.2307/2869925. 
    • Brode, Douglas (2001). Shakespeare in the Movies: From the Silent Era to Today. New York: Berkley Boulevard Books. ISBN 0-425-18176-6. 
    • Buchanan, Judith (2009). Shakespeare on Silent Film: An Excellent Dumb Discourse. Cambridge: Cambridge University Press. ISBN 978-0-521-87199-0. 
    • Buhler, Stephen M. (2007). “Musical Shakespeares: attending to Ophelia, Juliet, and Desdemona”. Trong Shaughnessy, Robert. The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press. tr. 150–74. ISBN 978-0-521-60580-9. 
    • Collins, Michael (1982). “The Literary Background of Bellini's 'I Capuleti ed i Montecchi'”. Journal of the American Musicological Society 35 (3): 532–38. doi:10.1525/jams.1982.35.3.03a00050. 
    • Dawson, Anthony B. (2002). “International Shakespeare”. Trong Wells, Stanley; Stanton, Sarah. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. tr. 174–193. ISBN 978-0-521-79711-5. 
    • Draper, John W. (1939). “Shakespeare's 'Star-Crossed Lovers'”. Review of English Studies. os-XV (57): 16–34. doi:10.1093/res/os-XV.57.16. 
    • Driver, Tom F. (1964). “The Shakespearian Clock: Time and the Vision of Reality in Romeo and Juliet and The Tempest”. Shakespeare Quarterly (Folger Shakespeare Library) 15 (4): 363–370. JSTOR 2868094. doi:10.2307/2868094. 
    • Edgar, David (1982). The Life and Adventures of Nicholas Nickleby. New York: Dramatists' Play Service. ISBN 0-8222-0817-2. 
    • Ehren, Christine (ngày 3 tháng 9 năm 1999). “Sweet Sorrow: Mann-Korman's Romeo and Juliet Closes Sept. 5 at MN's Ordway”. Playbill. Truy cập ngày 13 tháng 8 năm 2008. 
    • Evans, Bertrand (1950). “The Brevity of Friar Laurence”. PMLA (Modern Language Association) 65 (5): 841–865. JSTOR 459577. doi:10.2307/459577. 
    • Fowler, James (1996). Stanley Wells, biên tập. “Picturing Romeo and Juliet”. Shakespeare Survey. Shakespeare Survey (Cambridge University Press) 49: 111–129. ISBN 0-521-57047-6. doi:10.1017/CCOL0521570476.009. 
    • Gay, Penny (2002). “Women and Shakespearean Performance”. Trong Wells, Stanley; Stanton, Sarah. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. tr. 155–173. ISBN 978-0-521-79711-5. 
    • Gibbons, Brian biên tập (1980). Romeo and Juliet. The Arden Shakespeare Second Series. London: Thomson Learning. ISBN 978-1-903436-41-7. 
    • Goldberg, Jonathan (1994). Queering the Renaissance. Durham: Duke University Press. ISBN 0-8223-1385-5. 
    • Groves, Beatrice (2007). Texts and Traditions: Religion in Shakespeare, 1592–1604. Oxford, England: Oxford University Press. ISBN 0-19-920898-0. 
    • Halio, Jay (1998). Romeo and Juliet: A Guide to the Play. Westport: Greenwood Press. ISBN 0-313-30089-5. 
    • Halliday, F.E. (1964). A Shakespeare Companion 1564–1964. Baltimore: Penguin. 
    • Higgins, David H. biên tập (1998). The Divine Comedy. Oxford World Classics. translated by C. H. Sisson. Oxford University Press. ISBN 0-19-283502-5. 
    • Holden, Amanda biên tập (1993). The Viking Opera Guide. London: Viking. ISBN 0-670-81292-7. 
    • Holland, Peter (2001). “Shakespeare in the Twentieth-Century Theatre”. Trong Wells, Stanley; deGrazia Margreta. The Cambridge Companion to Shakespeare. Cambridge: Cambridge University Press. tr. 199–215. ISBN 0-521-65881-0. 
    • Holland, Peter (2002). “Touring Shakespeare”. Trong Wells, Stanley; Stanton, Sarah. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. tr. 194–211. ISBN 978-0-521-79711-5. 
    • Honegger, Thomas (2006). “'Wouldst thou withdraw love's faithful vow?': The negotiation of love in the orchard scene (Romeo and Juliet Act II)”. Journal of Historical Pragmatics 7 (1): 73–88. doi:10.1075/jhp.7.1.04hon. 
    • Hosley, Richard (1965). Romeo and Juliet. New Haven: Yale University Press. 
    • Howard, Tony (2000). “Shakespeare's Cinematic Offshoots”. Trong Jackson, Russell. The Cambridge Companion to Shakespeare on Film. Cambridge: Cambridge University Press. tr. 295–313. ISBN 0-521-63975-1. 
    • Kahn, Coppélia (1977). “Coming of Age in Verona”. Modern Language Studies (The Northeast Modern Language Association) 8 (1): 5–22. ISSN 0047-7729. JSTOR 3194631. doi:10.2307/3194631. 
    • Keeble, N.H. (1980). Romeo and Juliet: Study Notes. York Notes. Longman. ISBN 0-582-78101-9. 
    • Lanier, Douglas (2007). “Shakespeare: myth and biographical fiction”. Trong Shaughnessy, Robert. The Cambridge Companion to Shakespeare and Popular Culture. Cambridge University Press. tr. 93–113. ISBN 978-0-521-60580-9. 
    • Lanzara, Joseph (2010). William Shakespeare's Romeo and Juliet Uncensored. New Arts Library. ISBN 978-0-9639621-2-6. 
    • Levenson, Jill L. biên tập (2000). Romeo and Juliet. The Oxford Shakespeare (Oxford World's Classics). Oxford: Oxford University Press. ISBN 0-19-281496-6. 
    • Levin, Harry (1960). “Form and Formality in Romeo and Juliet”. Shakespeare Quarterly (Folger Shakespeare Library) 11 (1): 3–11. JSTOR 2867423. doi:10.2307/2867423. 
    • Lucking, David (2001). “Uncomfortable Time In Romeo And Juliet”. English Studies 82 (2): 115–126. doi:10.1076/enst.82.2.115.9595. 
    • Lujan, James (2005). “A Museum of the Indian, Not for the Indian”. The American Indian Quarterly 29 (3–4): 510–516. ISSN 0095-182X. doi:10.1353/aiq.2005.0098. 
    • MacKenzie, Clayton G. (2007). “Love, sex and death in Romeo and Juliet”. English Studies 88 (1): 22–42. doi:10.1080/00138380601042675. 
    • McKernan, Luke; Terris, Olwen (1994). Walking Shadows: Shakespeare in the National Film and Television Archive. London: British Film Institute. ISBN 0-85170-486-7. 
    • Marks, Peter (ngày 29 tháng 9 năm 1997). “Juliet of the Five O'Clock Shadow, and Other Wonders”. New York Times. Truy cập ngày 10 tháng 11 năm 2008. 
    • Marsden, Jean I. (2002). “Shakespeare from the Restoration to Garrick”. Trong Wells, Stanley; Stanton, Sarah. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. tr. 21–36. ISBN 978-0-521-79711-5. 
    • Meyer, Eve R. (1968). “Measure for Measure: Shakespeare and Music”. Music Educators Journal (The National Association for Music Education) 54 (7): 36–38, 139–143. ISSN 0027-4321. JSTOR 3391243. doi:10.2307/3391243. 
    • Moore, Olin H. (1930). “The Origins of the Legend of Romeo and Juliet in Italy”. Speculum (Medieval Academy of America) 5 (3): 264–277. ISSN 0038-7134. JSTOR 2848744. doi:10.2307/2848744. 
    • Moore, Olin H. (1937). “Bandello and "Clizia"”. Modern Language Notes (Johns Hopkins University Press) 52 (1): 38–44. ISSN 0149-6611. JSTOR 2912314. doi:10.2307/2912314. 
    • Morrison, Michael A. (2007). “Shakespeare in North America”. Trong Shaughnessy, Robert. The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press. tr. 230–258. ISBN 978-0-521-60580-9. 
    • Muir, Kenneth (2005). Shakespeare's Tragic Sequence. New York: Routledge. ISBN 978-0-415-35325-0. 
    • Nestyev, Israel (1960). Prokofiev. Stanford: Stanford University Press. 
    • Nevo, Ruth (1972). Tragic Form in Shakespeare. Princeton, NJ: Princeton University Press. ISBN 0-691-06217-X. 
    • “Shakespeare on the Drive”. The New York Times. Ngày 19 tháng 8 năm 1977. 
    • Orgel, Stephen (2007). “Shakespeare Illustrated”. Trong Shaughnessy, Robert. The Cambridge Companion to Shakespeare and Popular Culture. Cambridge: Cambridge University Press. ISBN 978-0-521-60580-9. 
    • Parker, D.H. (1968). “Light and Dark Imagery in Romeo and Juliet”. Queen's Quarterly 75 (4). 
    • Pedicord, Harry William (1954). The Theatrical Public in the Time of David Garrick. New York: King's Crown Press. 
    • Potter, Lois (2001). “Shakespeare in the Theatre, 1660–1900”. Trong Wells, Stanley; deGrazia Margreta. The Cambridge Companion to Shakespeare. Cambridge: Cambridge University Press. tr. 183–198. ISBN 0-521-65881-0. 
    • Quince, Rohan (2000). Shakespeare in South Africa: Stage Productions During the Apartheid Era. New York: Peter Lang. ISBN 978-0-8204-4061-3. 
    • Roberts, Arthur J. (1902). “The Sources of Romeo and Juliet”. Modern Language Notes (Johns Hopkins University Press) 17 (2): 41–44. ISSN 0149-6611. JSTOR 2917639. doi:10.2307/2917639. 
    • “Romeo – Definition from the Merriam–Webster Online Dictionary”. Merriam–Webster. Truy cập ngày 16 tháng 8 năm 2008. 
    • Rosenthal, Daniel (2007). BFI Screen Guides: 100 Shakespeare Films. London: British Film Institute. ISBN 978-1-84457-170-3. 
    • Rubinstein, Frankie (1989). A Dictionary of Shakespeare's Sexual Puns and their Significance (Second Edition). London: Macmillan. ISBN 0-333-48866-0. 
    • Sadie, Stanley (1992). The New Grove Dictionary of Opera. Oxford: Oxford University Press. ISBN 978-1-56159-228-9. 
    • Sanders, Julie (2007). Shakespeare and Music: Afterlives and Borrowings. Cambridge: Polity Press. ISBN 978-0-7456-3297-1. 
    • Schoch, Richard W. (2002). “Pictorial Shakespeare”. Trong Wells, Stanley; Stanton, Sarah. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. tr. 62–63. ISBN 978-0-521-79711-5. 
    • Scott, Mark W.; Schoenbaum, S. biên tập (1987). Shakespearean Criticism 5. Detroit: Gale Research Inc. ISBN 0-8103-6129-9. 
    • Shapiro, Stephen A. (1964). “Romeo and Juliet: Reversals, Contraries, Transformations, and Ambivalence”. College English (National Council of Teachers of English) 25 (7): 498–501. JSTOR 373235. doi:10.2307/373235. 
    • Siegel, Paul N. (1961). “Christianity and the Religion of Love in Romeo and Juliet”. Shakespeare Quarterly (Folger Shakespeare Library) 12 (4): 371–92. JSTOR 2867455. doi:10.2307/2867455. 
    • Smallwood, Robert (2002). “Twentieth-century Performance: the Stratford and London companies”. Trong Wells, Stanley; Stanton, Sarah. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. tr. 98–117. ISBN 978-0-521-79711-5. 
    • Spencer, T.J.B biên tập (1967). Romeo and Juliet. The New Penguin Shakespeare. London: Penguin. ISBN 978-0-14-070701-4. 
    • Stites, Richard biên tập (1995). Culture and Entertainment in Wartime Russia. Bloomington: Indiana University Press. ISBN 978-0-253-20949-8. 
    • Stone, George Winchester Jr (1964). “Romeo and Juliet: The Source of its Modern Stage Career”. Shakespeare Quarterly (Folger Shakespeare Library) 15 (2): 191–206. JSTOR 2867891. doi:10.2307/2867891. 
    • Tanselle, G. Thomas (1964). “Time in Romeo and Juliet”. Shakespeare Quarterly (Folger Shakespeare Library) 15 (4): 349–61. JSTOR 2868092. doi:10.2307/2868092. 
    • Tatspaugh, Patricia (2000). “The tragedies of love on film”. Trong Jackson, Russell. The Cambridge Companion to Shakespeare on Film. Cambridge: Cambridge University Press. tr. 135–59. ISBN 0-521-63975-1. 
    • Taylor, Gary (2002). “Shakespeare plays on Renaissance Stages”. Trong Wells, Stanley; Stanton, Sarah. The Cambridge Companion to Shakespeare on Stage. Cambridge: Cambridge University Press. tr. 1–20. ISBN 978-0-521-79711-5. 
    • Wells, Stanley (2004). Looking for Sex in Shakespeare. Cambridge: Cambridge University Press. ISBN 0-521-54039-9. 
    • Winter, William (1893). The Life and Art of Edwin Booth. London: MacMillan and Co. 

    Tài liệu tham khảo

    WikiPedia: Romeo và Juliet http://www.britannica.com/EBchecked/topic/508921 http://www.merriam-webster.com/dictionary/Romeo http://query.nytimes.com/gst/fullpage.html?res=950... http://www.playbill.com/news/article/47546.html http://www.shakespeare-online.com/plays/romeoscene... http://www.shakespearestudyguide.com/RomeoText.htm... http://shakespeare.mit.edu/romeo_juliet/ //dx.doi.org/10.1017%2FCCOL0521570476.009 //dx.doi.org/10.1075%2Fjhp.7.1.04hon //dx.doi.org/10.1076%2Fenst.82.2.115.9595